Fake It Til You Make It

keenu

Recently, I went to a Writers Conference and pitched my book to 2 editors and 2 publishers. 3 of them liked my pitch so well they invited me to send them an email. That was two weeks ago and I still haven’t sent them a single email. You can look at me in shock and wonder why I haven’t jumped furiously at such an amazing opportunity. I mean, I have 3 people interested in publishing my book!

The reason for my procrastination is simple. My book isn’t done.

I’ve been telling people that, yes, my book is indeed finished. The editors didn’t ask if my book was finished. They’d just assumed. For if they’d asked, I would have looked them in the eye and said No. For months, I’ve been saying, “Yes, my book is done. I just need to retweak some things.” Well, I’ve been retweaking a lot. And recently I’ve made some startling discoveries.

I discovered my main character is really my secondary character and my second character is really my main. I’m redoing my book. Not rewriting the entire thing completely from scratch. HAHA. No. That’d be insane. But I’m pretty nearly doing that. I’m rewriting a shit load of it. I’d say 70%.

I know, this time, my book is perfect. The idea and plot are solid. I’ve pitched my book to many friends, people I don’t know, and colleagues and have gotten great feedback. Everyone likes the idea. I discovered my audience can better connect with my secondary character than my originally main character. I discovered a whole new world with my secondary character who is now my main.

But… I still need to send my stuff to the editors. I won’t finish my book in a week. That’s a ludicrous hope. The editors wanted the first three chapters of my book. Done. To perfection, I might add. They wanted a synopsis as well. Not done. To imperfection. Terrible. The Synopsis.

I have the main idea and bare bones of my book down. I know exactly what it’s about, who all the main playing characters, the in’s-and-out’s of the plot, and how it’s going to end. The part I don’t have are the holes in between. There some spots I’m still trying to sort through and figure out. Which makes writing a synopsis a little difficult. I can’t tell any editor about my book if I don’t know Everything about it.

I’ve sat down and plotted out main ideas and what I want to happen. But I know that I won’t figure everything out until I sit down and actually start writing. Because that’s how I figure things out. I usually outline my book very simply then fill in and connect the dots as I write. This time, though, I’m trying to write a synopsis before I even start writing. I have the damn synopsis started but then it reaches a certain point and stops. It’s as if I’ve come to a cliff. I can see just beyond the cliff to the other side but I can’t see how to cross the cliff.

Since I know I won’t be able to figure everything out in a week, I’ve decided to bullshit it. I’m going to write a synopsis and try to keep it somewhat close to what I want my book to be about. The rest… I’ll make up. The editors won’t see my stuff until three months later because they’re extremely busy. Meanwhile during that time, I’ll be writing and figuring out my book. When they finally do get back to me, I’ll hopefully have a concise and clear understanding of my story. I’ll write a new synopsis and send them it with a note saying I’ve changed my story a bit.

I’m sure others have been in the same predicament I’m currently in. I’ve been told countless times not to approach a publisher/editor unless my book is finished. But I did it anyways. Sometimes you’ve got to fake it until you make it. I’m going to cross my fingers and hope all goes well.

2 thoughts on “Fake It Til You Make It”

  1. Congratulations on the requests. I was told by agents and publishers that if you receive such an invitation, the timeline is open-ended. You can submit a year later if you wish. Just be sure to follow their instructions on what to include and where to include it.

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